ponedeljek, 21. september 2015

Kid`s Live!: SUMMER TOUR

SUMMER TOUR 15´

Howdy everybody!

Since I`ve been away for some time, I got you some evidence how I spent my summer time. And the proof it was successful! Let`s see what`s been going on through summer. Rock and roll and many more!

Happy 4th of July! Hope you had a ball!











There´s been another holiday goin´ on 26th of July. World´s greatest licker and harder stone turned 72. Old, but gold, happy birthday Sir Mick! 



Another birthday boys, Brian May celebrated on 13th July, Roger Taylor blew his candles same time as Mick, on July 26th.



This is what I call Hard Rock Cafe!  
Have your special sneak 
peek underneath the wonderful front of Tenerife Cafe!








What we got here is original lyrics of Sting`s song All this time. 



What`s been goin` on:


Remembering MARC BOLAN

30 September 1947 - 16 September 1977

















September`s JACK`s birthday! 

Raise your bottles for the old guy.







REBEL WAVES
Pete Shelley holding up a poster
for the Sex Pistols' much-fabled second gig
at the Lesser Free Trade Hall, JULY 1978.


Who you gonna rock?
I spent some time on rock n`roll and American car meeting Piston Riot in Ljubljana, September 2015




SOME HERITAGE

This is one of my favourite Bruce Springsteen songs and some real anti age treasure. 

Let`s hear it again,


ponedeljek, 14. september 2015

Kid`s Treat: ROADS THE MAN WALKED DOWN

Roads the man walked down


Folk used to be one of the country and other US ethnic hillbilly genres in the sixties. Well it could even remain there, if somewhat whimsical and arrogant guy called Robert Zimmerman suddenly appeared in New York, and after some time, the world started known him by the name Bob Dylan. As the years went by, the streets of Greenwich Village sounded same as his politically engaged Freewheelin ', and he got crowds of fans and followers. But as Dylan said the last word with acoustic folk, he enjoyed electric guitar tunes. Fans were surprised even as Dylan continued with love ballads and country. But even the remarks on his behalf and getting the raspberries failed to end the route, he was heading. His songs are still loud enough, his voice sharp enough, and his tour is never ending.

Dylan has stopped in Slovenia since for the fourth time since 1991. Over four thousand people joined together in Arena Stožice in Ljubljana. And as special the day was, it was also clear, this event is a different kind, when the stage was in complete darkness and the people sat in front of the hall. Visitors who are otherwise fighting for the first row at any cost, this time preferred to sit along and eat popcorn this time. Alright, the concert was not sold out, but just looking at the long-haired elder visitors, middle-aged couples and girls in black dresses with wreaths in their hair, were reminiscent of scenes of American folkies sitting in parks. Only now they were not singing We Shall overcome, but spent their time wondering whether Dylan may not get tired to prepare always new surprises. Finally, his logo disappeared and after a strike on the gong small man with a huge white hat took slow steps on the stage. As he found his place in front of one of the four microphones, he slightly started humming Things Have Changed. In the moment when the crowd began to shout his name and started prepairing their cameras, Dylan did not respond at all. But his guards did. Filming or photography was strictly prohibited. Yet a number of times due to flash use, security guards pull their flashlights into the open. They did not succeed, only the visitors in the first rows were blinded by the light most of time. Dylan's lighting, was the complete opposite and more reminiscent of a theater performance. The venue was surrounded by curtains, the stage used to be filled with soft light due to the small wall lights, but otherwise equipment, which included microphones, guitars, drums and piano was nothing similar to what large stage spectacle names similar size and mileage, as Dylan usually use. It was more intimate, more club-like. The only decoration on the stage was a small bust. Five-member accompanying band sat on bar stools, but Dylan spent most of the time standing in the middle of the stage in front of his microphones and reciting his poems. With every minute, it was quieter in the hall and the concert became increasingly emotional yet without sleazy flirtation with the audience. Moreover, Dylan's unclear pronunciation, broken rhythm and changed forms of the songs caused confusion amongst visitors and so only half of them realized big hits actually, such as Tangled Up in Blue. It seemed as if Dylan devoted to walk down his entire musical career once again and with each step he was more away from initial folk with whom, he grappled to its beginnings. Here and there he took time for harmonica and proved he still sounds enough melodic and melancholic, as in the past. When he performed She Belongs to Me he even sat by the piano. No one was surprised at electric guitar on stage this time, but Dylan did success by selecting songs. After the sad and unrelated verses of Sinatra´s Fool to want you and As leaves fall down, it was clear that he did not only take part in his own musical path, but he summed up almost the entire American music history.When he bared his soul and took some rest backstage, he returned with new image. And so did his songs. With High Water and Simple Twist of Fate he took a bigger step to the very American way of country and did not miss out even blues heritage. He sat by piano once again and hit the floor in Forgetful heart rhytm.  Montand´s Autumn Leaves was a proof of Dylan´s ballads, appearing strong and somewhat crude, but can apply nostalgic tunes with note of romance. Spirit in the Water, intertwined Dylan´s virtuoso variations on piano and guitar parts, later turned into Scarlet Rown, then Soon After Midnight, followed by Long and Waisted Years, which changed the whole atmosphere in way more relaxed. But seniors could expect that 74-year old ex-folkie would not depart untill pulling the rabbit out of the hat. Those, who barely followed the program, full of not exactly greatest hits, were bored. Still others were confused. Meanwhile Dylan made an end to the dilemmas, he at the same time met all of them. With well-known lyrics and completely opposite form of original version of the song, Blowin´ in the wind made some even more kindled, well the others broke the code only after the second stanza. The grand finale was accompained with Love Sick, when the lights went out and the great Dylan walked off stage without a word. 

ponedeljek, 7. september 2015

Kid´s Chronicle: BLOWIN´ IN THE WIND

Blowin´ in the wind

We might think we know a great deal about folk as a way of music, but here´s the deal. It would probably remain under the domain of some kind of hillbilly southern American music, which used to be a bad reference. Well, not too long untill the revival tune staretd to sound in the streets of the Greenwich Village near NY University. Anyways, thanks to the jewish angry or just melancholic lookin´ like Robert Zimmerman  a.k.a. Bob Dylan.
Considered as the most influental persona of folk movement, he turned the folk under the spotlight with his voice and lyrics and few years later he buried it for good with same. When you think of folk, you think of Dylan.

GRANDPA                                                                                          Guthrie

You might didn´t know, but a guy called Woody Guthrie used to be the
first person starting the whole idea of            
folk as a simple music with political ideas.        





                                                                                   BACK                                                                                                                    
               TO                 
                THE                                        


                ROOTS


Folkies used to be the opposite of the great deal of people, who were listening to the sound coming from electric guitars and all sorts related to the rock n´ roll culture, which seemed to rule the world in the 70s. Dressed in black, sitting around, singing Joan Baez song We shall overcome, they played acoustic instruments and raised ther voices in political manners.
As NYC due to economic crisis was one of the coldest and decadent cities, facing trash, prostitutes and migrations everyday, on the other hand, it soon became popular for artists, students and other bohemians, trying to express themselves. Folk, which used to be national music of the America became sinonym for raw, simple sound and politicaly orientated lyrics including civil rights and war.




                                                                                           It was folk, which brought people together and made the path for even more liberal and peace orientated movement – hippies.

Going folkie? Check the heritage of the timeless artists. Here is my top five selection,  just to get the picture:
Peter, Paul and Mary: Where have all the flowers gone (Did you know Peter, Paul and Mary reached their popularity due to performing Dylan songs and Blowin´ in the wind became famous because of their cover?)
The Carter Family: Can the circle be unbroken
Coal Black Rose
Man of Constant Sorrow
House of the rising sun
(You might know this one from British The Animals, but it was originally folk song)


I`ve tried some folkie kit too:




sobota, 22. avgust 2015

WE`LL BE KIDDING..ON SEPTEMBER!

Hi everybody! Your favourite Kid is back. Again! I am sure you missed me, because I missed you like hell! Seriously. But the fun is not over, we are starting fresh soon. I am planning on visiting some new gigs and as you can see, I have also renewed my site a bit. Hope you like it. 




Just a sneek pick into September`s specials: Special report from Dylan`s concert, preparations for the Marilyn Manson gig and brand new section called Kid` Chronicle featuring fashion pics, music guidelines and other interest facts on music and many more. Don`t miss out monthly treats, we`ll be Kidding on September!

ponedeljek, 20. april 2015

Meeting up with UNDISPUTED KING OF THE UNDERGROUND


Still undisputed King of the Underground  


 

He set the rock n` roll trends back in the 80`s, when he filled the scene with one hit after another and left nobody equanimous. A rocker in his late fifties, holding also some punk in his blood, decided to prove he ain`t one of those names, who were huge only under the rule of rock. Billy Idol got down to it, for he didn`t only finish his autobiography Dancing with myself, but also started touring in Europe, North America and Australia, where he is about to present something fresh, his album  Kings & Queens of the Underground.
After almost ten years blonde-haired Brit decided to show his music once again, while he spent those years forgotten, somewhere in the background. Without a cause at all. His music could always be described as something more than rock and not only punk. Idol liked combining different music genres and styles and which could even cost him his career. After Cyberpunk, 1993 album, which was badly approved by the public, he started fading away, but in the final moment got himself in back together and back on track. He returned in 2005, but even Devil`s playground didnt work according to expectations.
When he thought he`d give it all away and probably turned down finding some new melodies, the time has come to meet the  Kings & Queens of the Underground. Even the darkened title is a promise for a good deal of some „Billy“ style, but yet it might sometimes stay under the surface. The album might be some kind of a mixture of everything, we`re yet used to at Billy and might recognize it in some newer image. Good ol` Rebel yell is now Postcards from the past, which joins great rhytm and guitar intro, creating good vibes in the beggining and attention grabbing chorus. Even talkative Whiskey and the pills seems to be pretty energetic, besides guitar accompainment, which were carefully driven by Idol`s longtime associate and also one of the guitar heroes of the rock era Steve Stevens, the lyrics seem to be huge bonus of this piece.
Billy also took care of fans of his milder side. Ghosts in my guitar (nobody knows, if there were really any ghosts in that guitar, but nevermind, it sounds pretty cool with or without them) is a deja-vu of Eyes without a face, Idol˙s vocal gets in some point so pure and clear, it`s hardly recognizable. But no worries, Billy sticks to his raspy vocal colour as much as he`s dedicated to his blonde hair colour. There he goes in Eyes wide shut, another calmer balad, where intense guitar accompainment and Billy`s vibrato makes it so enchanted.
Kings & Queens of the Underground, the song which named the whole album, seemed to go through some facts on Idol`s life and for its vocal lines it might even sound a bit like opera. Well, it doesn`t take too long before the lyrics prove you`re wrong. But yet the flute might be too much for the old rocker.  Nothing to fear, Love and glory and Save me now, in which rhytm might sound more like dance and the whole arrangement sounds too modern despite the loud guitars. Even the electric change of the voice might be to blame in Nothing to fear. It might even make you feel like you`re listening to one of those DJ compilations. Well, thank you Billy for the Can`t break me down and Bitter Pill, which changes the taste in our mouths and gets everybody a good taste of old punkrock masterpieces from the past decades. Growing rhytm followed by climax in the catchy chorus is great, but the best part seems to be „it`s just my natural reaction“.  His vocal is well placed in this one and it sure is a proof Billy is the one you just ca`t be down. Even down there he still is the King of the Underground.
This year might be pretty royal for blonde punkrocker. Album promises many different things, what`s a fact about Billy and what might be his bad side, for sometimes he wants to sound in the way what`s currently „charts-popular“ way to much. It might be the beginning of some new branch of punk rock, because the album took high places on Billboard charts, and yet received different reviews. For what it might be referred to rock or punk or whatever and if we add it was made by two old rock n` roll legends, the whole thing might be a little low on the guitar solos and other sweet things the six strings offers. There`s only a question why, for Stevens stretches his fingers on the gigs pretty well.
British Fall Out Boy seemed to be on the back pages too many times in the late music history. Despite his influences on many performers and as a matter of fact, he was also a fashion icon, he spent his time searching for some modern tones in his music. So, those, who want to repeat some older hits once again, should probably join Billy on his gig, but others, ready to taste something new, should sooner or later open their minds to the King of the Underground.




ponedeljek, 13. april 2015

Kid`s Pit: A REBEL WITH HIS YELL



A Rebel with his yell 


It only took couple of riffs to guess which song is about to take part of the show. Strings were just about to burn and so it was the stage. The heat almost reached the top, hands were right up in the air and the only thing missing was the blonde rebel take of his shirt. He made his yell sound even more rebelious. The view was almost the same as decades before, when the yell first came to sound. Only this time, red leather vest was missing.
Billy Idol is still blonde, still knows how to dance with himself, only he`s in late fifties now and yet this time there were many people dancing along. One of the first crusaders, who started to form the path of punk in Great Britain, used to be huge rock n` roll icon back in the 80s and yet he still knows how to do it. After he filled the place up few years ago, he decided to do it again. Only this time it sounded more idolized. Why? Well, you might wanna go and ask Steve Stevens. Who? Yeah, same Stevens, who was probably guilty for Idol`s songs to reach sound we still got in our ears and yet the same Stevens, who still makes you believe, the guy was probably born with picker in his hands or at least something like that. The show was noisy, punk and rocking again.
British Fall Out Boy started to rock the 25th of June 2014 with some tones from the underground. He opened the show with few songs from  Kings & Queens of the Underground, which was about to come to reality later that year. All covered in the black leather, just as rocker like himself should be, he took over the mic and also the crowd. Hot in the city could probably now be reffered to Hot in the Tivoli hall. After few big hits, such as Dancing with myself, White wedding and Mony Mony which left visitors still some 80`s taste in their mouths, there was time for Billy to show his guitar skills. With Stevens covering his back in guitar accompainment, he proved he could still made Sweet 16 sound convincingly emotional. Same as Eyes without a face, where he put aside his raspy tones and softly but with depth sang lower tones and then slided to upper ones with lightness and yet sensibilty. After all, that sounds pretty much like ol` Billy, who`s just a fan of combining different things to find the right sound. Surprise was also Stevens. After King of underground`s departure from the stage, Stevens took care of the crowd and continued with the idolization.
He showed everything he`s got, playing over his head, behind his back and so fast one could hardly follow. From slowly wandering through some evergreen guitar riffs, such as Led Zeppelin`s Stairway to heaven, to going on and on, faster and faster, he showed, he`s really cruciable part of the rebellious night, which tastes as some old rock n` roll. When Billy changed and got back on the stage, the party went on.
It didn`t take long, before the atmosphere was the same as before. And it got even crazier when the time for the most famous yell came. Though the first rows under the stage were taken by fans, who grew with Idol`s music, it didn`t seem as the time passed by at all. They were pointing their hands up in the air, just as you`d find yourself in the middle of the Rebel yell video. When Billy took his shirt off and showed he also got almost no trace on his well-shaped body, they were as one. When Billy stretched his face muscles and got his vocal screams back, they were jumping and screaming, trying to reach him on the stage. Well he stepped on the stair above the floor and started doing well-familiar move with his fist in the rhytm. Everybody continued.
„Me... I`m a Billy fucking Idol,“ he ishouted after he introduced his band to the visitors. After Billy`s danced with himself in his autobiography and opened his heart in  underground, we could guess, what`s coming next. Well, he`s sure not finished all the chapters. At least one more is about to come. That`s how he promised: „See you next year!“

ponedeljek, 30. marec 2015

MusiKid: MAGICIAN

Magician


Hi, folks! It`s time to sing a song again, well it`s time to write a song actually, I am presenting one piece, I wrote quite a long time ago and I guess its not pretty connected all together, but I suppose it`s just highlighting what I was thinking back then.

I give you Magician.

I can feel deep inside
is sound of a broken heart
Somewhere deep inside

I can see round and round
The world is cyrcling around me now
I can see round and round

I can taste broken dreams they're filled with salty tears
I can taste broken dreams

And I can feel deep blue sea
Taking me cuz I can't pull any strings
I can feel deep blue sea

I can say nothing now cuz everything seems empty somehow
I can say nothing now

I can stand in a row wait for the mercy I'm beggar now
I can stand in a row

And I can make children cry cuz everything in me just died
I can make children cry

And I can take my bags but I can't fly cuz here it all started from a lie

Chorus
I wanna fly
Away right now
Don't wake me up
Don't make it stop
Say those magic words and make the heaven drop


I can count days that passed and I curse from the first to the last
I can count days that passed

And I can touch my balantine you broke my heart, my valentine
I can touch balantine

I can pray every day to get on the feet and get away
I can pray every day

I knew it from the start we were meant to be taken part
I knew it from the start

I was closing my eyes I didn't want my rose to die
I was closing my eyes

But the dark was too bright to weep so I had to wake from my sleep
The dark was too bright to keep


And now everythings left to desert and vein I'm making a move to change the despair